Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker." />

Blade Runner (1982) 720p YIFY Movie

Blade Runner (1982)

THIS IS THE "FINAL CUT" version Deckard, a blade runner, has to track down and terminate 4 replicants who hijacked a ship in space and have returned to earth seeking their maker.

IMDB: 8.3168 Likes

  • Genre: Drama | Sci-Fi
  • Quality: 720p
  • Size: 702.41M
  • Resolution: 1280*528 / 23.976fps
  • Language: English
  • Run Time: 117
  • IMDB Rating: 8.3/10 
  • MPR: R
  • Peers/Seeds: 26 / 862

The Synopsis for Blade Runner (1982) 720p

In a cyberpunk vision of the future, man has developed the technology to create replicants, human clones used to serve in the colonies outside Earth but with fixed lifespans. In Los Angeles, 2019, Deckard is a Blade Runner, a cop who specialises in terminating replicants. Originally in retirement, he is forced to re-enter the force when six replicants escape from an offworld colony to Earth.


The Director and Players for Blade Runner (1982) 720p

[Director]Ridley Scott
[Role:Gaff]Edward James Olmos
[Role:Rachael]Sean Young
[Role:Roy Batty]Rutger Hauer
[Role:Rick Deckard]Harrison Ford


The Reviews for Blade Runner (1982) 720p


Blade Runner. All style, no substance.Reviewed byGummo-12Vote: 1/10

An exercise in graphic design. A movie that wanted to speak to the human condition, but choosing to do so by avoiding all things human. There's lighting, and costumes, and set design to burn, but all the actors have been forbidden to act. One cardinal rule has been adhered to, "show no emotion". In the future, it rains all the time and we've all become automatons, sheesh, would somebody mind writing a movie for this trailer?

A glorious, timeless nightmareReviewed byFlagrant-BaronessaVote: 10/10

Dark, deep, uncertain, unsettling ? imagine the most beautiful nightmare you've ever had ? this is Blade Runner (1982).

Ridley Scott's Blade Runner is a brilliantly crafted science fiction film that not only touches upon, but bravely plunges into deep philosophical questions, making it simply ten times more important than any film of its genre. I love it not only for the initial feeling it gives, but because of its perseverance ? none of the visuals, themes or technology feel dated but as deep, gripping and current as ever. It is timeless beauty with huge doses of emotion.

Set in 2019 Los Angeles, Blade Runner zooms in on the eerily-lit, urban streets of the city and follows Richard Deckard ? superbly played by Harrison Ford who brings an exquisite moral ambiguity to his character ? a special policeman who tracks down and terminates artificially-created humans called replicants, who have escaped from an Off-World colony and made their way to earth and need to be stopped. The things Deckard encounters on his detective journey raise many philosophical questions like: Who is really a replicant? Are replicants really bad? If replicants are bad, when why did we go to such lengths with our technology to create them? Are replicants really humans? Is Deckard a hero? This truly is a film that demands subsequent discussion and its ambiguous ending leave a haunting and eerie feeling.

In spite of a rich glaze of science fiction and futurism coating this adventure, there are distinct film noir elements present ? primarily in the bluish haze that the film is seen through and its gritty urban atmosphere. Whoever thought of this combination is a genius. Since it is all about technology, it fits then that Blade Runner features a ridiculous amount of product placement, especially from Atari. In any other film, this would have felt out-of-place but here it is simply perfect. The score by Vangelis is strangely gripping when combined with the striking cinematography of the film.

Blade Runner deserves credit, celebration and remembrance for it is simply an excellent film.

10 out of 10 (and I don't just throw this grade out like SOME people)

The Last Great NoirReviewed byCaptain SpandexVote: 7/10

This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen. At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected. Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this.

Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom. There is no final scene at the end where the bold detective puts all the pieces together and says "Ah-Ha!". Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill.

Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue.

Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts. Superimposed special effect objects don't give off that unnatural, clearly computer-generated "Lord of the Rings" sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects. This is an important distinction to make in today's Hollywood.

"Touch of Evil" really wasn't the last of the Great Film Noirs!

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