This fairy tale with parallels to "Alice in Wonderland" has a little girl encountering bizarre characters in an alternate universe. The cinematography is quite impressive and del Toro displays a fine visual flair. However, the script is too random and contrived to be interesting and the characters are one-dimensional. The captain, for example, is pure evil, lacking a single redeeming character; his wife is a whiny weakling. The film intersperses the fairy tale with the account of the fascist army fighting insurgents, but the two threads don't complement each other. It's like watching two movies. del Toro's obsession with stomach-churning violence doesn't help matters.
Pan's Labyrinth (2006) 720p YIFY Movie
Pan's Labyrinth (2006)
In the falangist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.
IMDB: 8.25 Likes
The Synopsis for Pan's Labyrinth (2006) 720p
In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.
The Director and Players for Pan's Labyrinth (2006) 720p
The Reviews for Pan's Labyrinth (2006) 720p
Alice in LabyrinthReviewed bykenjhaVote: 7/10
This is a movie with a simple and straightforward plot which contains layers and layers of intelligent writing, metaphors and message.
To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.
This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.
Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.
I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.
Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.
I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.
This is a brilliant movie. Watch it.
I saw this film toward the end of the Cannes Film Festival; it edged out all the others I'd seen, 30 of them, because of its wonderful story; history, politics and fantasy woven into a fabric spun by a superlative creative team headed by Guillermo del Toro. In comparison to this, his latest effort, del Toro's other films only hinted at the depth and breadth of his talent. In this film, much as I pride myself on foreseeing the outcome of most stories, I could not guess what would happen next. The film is quite long, yet suspense is sustained throughout. The music is some of the best I've heard in years, so well suited to the action that you almost don't notice its specific effect because of how well it is intertwined with the visual, emotional and intellectual experience.
In my opinion, del Toro's "...Labyrinth" deserved to win at Cannes over the Ken Loach film, "The Wind That Shakes the Barley". Actually, everyone I knew at the Festival who had seen both agreed with me. And the 22 minute ovation speaks clearly for the effect on the audience. It's hard to imagine that any film could beat it in a context other than Cannes where they have marked preferences, bordering on obsession, for certain directors.
Let's hope that the late December opening favors an Oscar nomination which it should win hands down, unless some other work of genius appears on the horizon. That doesn't seem likely because at Cannes the somewhat disappointing array of films was attributed to the fact that not much great product is being released this year. I might add that I had already seen Volver prior to Pan's Labyrinth, and I maintain that Pan is the better film. For me, it displaced all three of my top films of the year. I do love The Departed but, luckily, that's in another category which does not threaten Pan's access to Oscar. If I had to choose the very best picture of the year, without limitation by category, it would most assuredly go to Pan's Labyrinth for it demonstrates del Toro's originality and brilliance as both writer and director.